Monthly Archive for March, 2008Page 2 of 7

Digital journalism: Is it Mac or PC?

Mail call,

Larraine Rowney (Glasgow Herald) writes: (via my a wall post on my Facebook profile.

“Hi Robb,
You might be able to answer my concerns on a work related problem. I’m Graphics Editor at a daily newspaper in Scotland and we are presently switching from a Mac to PC-based editorial system - the problem is that I think the Graphics desk need to keep a Mac presence. I’m don’t have a problem working on a PC as I know that the software packages are pretty much the same on both platforms, I just have an issue with all of daily archived graphics, maps etc, that we have stored on mac cds (about ten years worth of work) most of which we need to use regularly. Also my staff and I would also much prefer to work on macs as it’s been the industry standard for so long, but I’m finding it difficult to articulate this to the “non-creative” executives. Any ideas? p.s their’s is a cost based argument.”

My reply, I hope, frames the old “Mac vs PC” in a new light - the ability to produce compelling Web multimedia with the same computer equipment.

Hello Scotland!
Larraine, I think you should articulate your solution as just that - maintaining a strong bridge to your archives. For a graphics department the archives are an active resource - used daily at most papers.

For the accountants you need to remind them that, cost-wise, buying a Mac gives you two computers in 2008 - a Mac AND a PC. All you need is to have a copy of Windows installed on the Mac to run software for both platforms on the same machine.

A 20-inch iMac is plenty powerful for this kind of everyday archive graphics work. I would think you might want to keep two of these around as these all-in-one machines let you assemble slick Web graphics very quickly using the built-in multimedia software, iMovie, Quicktime, Preview, iPhoto and the low-cost iWork software. For example, the quick graphics you can make in iWork look great online. Can’t say that about Powerpoint.

And, GarageBand (which is also free, built-in software) contains a powerful and simple to use multi-track audio editor. I use it for my podcasts . . . I like to teach with it AND produce with it because GB has the ability to demystify the black art of multi-track audio and video editing processes. Much more so than Audacity. But I digress.

So your Macs are cost-justified because you do things with it that you simply cannot do with a PC. (Namely Run OSX and the amazing graphics and multimedia software that comes FREE with a Mac)

So, you not only do you get two machines for the price you can look easily at how to multi-task those same machines by giving them the ability to edit and produce podcasts, generate Web graphics and even do some light video editing. Oh, and give you that bridge to your graphics archives.

Remind your editors and IT police that the future of media is visual interactive media and Macs make it dead simple to produce this kind of material.

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The problem with “award-winning” newspaper video journalism

Why is the content for online journalism different than print or broadcast? And why are journalists confused about what work should be entered in which contest?

The assumption that text, photos and videos are merely the “same content” online as they are in print is part of the mindset that has helped cripple U.S. paper’s online efforts. The change in thinking has been considerable in recent years, but these paradigms still surface in the award season.

The monopoly on information is no longer ours alone. The business models for monopolistic control over distribution and eyeballs is busted, too. That much we can agree on now.

Still we see comments from photographers that somehow wished that online worked like a medium they know already.

But why are we segregating what we do for print versus what we do with the Internet? Why isn’t the BOP (Best of Photojournalism) Web video judged against/with video produced for TV? Aren’t they the same product?
- Will Seberger”> posted on Wired Journalists

Why is the content for online journalism different than print or broadcast? And why are journalists confused about what work should be entered in which contest?

Web video is not Television!

That is a seminar topic I have been delivering for two years now around the world. Why have so many editors and publishers been looking at the wrong models for Web video journalism? Because they haven’t come to terms with the dynamics and story potential of the new tools and user expectations yet.

e.g. YouTube is the model for the user experience and look at how smartly YouTube lets users scale up a video when THEY want to. Embed it share it, group it, rate it. How many of you let your users do this with your media?
The Web also makes excellent use of is a thumbnail gallery interfaces. Click on a thumb and get a slideshow or larger image. Done. Users get this.

If you are producing the same content and merely porting over - you can’t succeed. Online works differently, the media user is in charge of the experience.

The Web is about ‘now, not six months from now - when you decide to post up your ‘Emmy award-winning’ video project. Who will be watching that work then? Contest judges? Maybe. But probably only if you tell them about it. Full-screen-only, bandwidth hogging HD video projects - who is that for - to impress the board of directors? The shareholders? The Pulitzer committee? Ask first - whose ego are you serving?

Placing undue emphasis on the work that is, let’s be brutally honest, produced to impress primarily other journalists (AKA the stuff we produce to enter in contests) is harming our transition to meeting consumers’ expectations. Why is it that we think that the big, time-consuming, far-flung, High-Def, special-section work is the best work we can accomplish?

Whenever I hear journalists praise the design or Flash quality of a big, expensive “award-winning” online project, I first go to the reader comments. l often see a huge disconnect from the people producing the work and the people who are supposed to be consuming it.

You’ll be lucky to find many reader comments at all for some of the most celebrated stuff. Sometimes you’ll be lucky to even find where the comments section is at all. Again, the complete opposite of the the YouTube video experience. If you are not connecting with your community then you are producing journalism in a vacuum and, tell me, why should that work win any awards at all?

We are in a transition and transitions are bumpy and disorienting. Getting to the point where newsrooms are producing everyday multimedia is the only foundation I know of that will accomplish the goals of getting to the promised land and still be able to produce a range of stories including doing large-scale projects.

It’s just that in my world, the super-excellent, nine-month enterprise piece should run first online WHILE it is being reported and then perhaps a year later as a documentary film at Sundance. And in between the story gets better, it gains traction in the community because of the online engagement. Why can’t newsrooms think like this? Awards? How about a chance to win an Oscar with your visual journalism? Hmm, Pulitzer or Oscar next year . . . . Is that enough drive for you to produce a new brand of “award-winning journalism?”

Great, I will be looking forward to seeing you on the red carpet.

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Employment - RSS feed for SND newspaper design job bank

SND Job Bank

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I was frustrated that I could not find anywhere a RSS feed for jobs posted to the SND job Bank so I made one myself.
Here it is.

The SND update blog just announced an upgrade to the blog. (They are now using Experession Engine to blog on.)

Oh, and they also have a new CSS template. But on the development side - not much there.

You won’t find a search bar, or a reader comments module or RSS feeds for comments, tutorials or multimedia.
Also I could find no widgets or tools that make it demonstrably more interactive or viral than it was before.

No search bar? You have got to be kidding me.

Just as importantly they missed a chance to upgrade some of their antiquated databases - like the one that delivers job results via Lasso. Lasso? Are you kidding me? It’s a LAMP world, people.

Job bank feed

OK. So here’s hoping the SND Web team will use this new job bank feed I developed to publish the new job openings on their home page and all their blogs.

If they need help - they know where to find me. ;-)

Enjoy.

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